Hexagram 2 · ䷁
The four fundamental aspects of the Creative—“sublime success, furthering through perseverance”—are also attributed to the Receptive. Here, however, the perseve...
This hexagram is made up of broken lines only. The broken line represents the dark, yielding, receptive primal power of yin. The attribute of the hexagram is devotion; its image is the earth. It is the perfect complement of THE CREATIVE—the complement, not the opposite,for the Receptive does not combat the Creative but completes it. It represents nature in contrast to spirit, earth in contrast to heaven, space as against time, the female-maternal as against the male-paternal. However, as applied to human affairs, the principle of this complementary relationship is found not only in the relation between man and woman, but also in that between prince and minister and between father and son. Indeed, even in the individual this duality appears in the coexistence of the spiritual world and the world of the senses. But strictly speaking there is no real dualism here, because there is a clearly defined hierarchic relationship between the two principles. In itself of course the Receptive is just as important as the Creative, but the attribute of devotion defines the place occupied by this primal power in relation to the Creative. For the Receptive must be activated and led by the Creative; then it is productive of good. Only when it abandons this position and tries to stand as an equal side by side with the Creative, does it become evil. The result then is opposition to and struggle against the Creative, which is productive of evil to both.
THE RECEPTIVE brings about sublime success, Furthering through the perseverance of a mare. If the superior man undertakes something and tries to lead, He goes astray; But if he follows, he finds guidance. It is favorable to find friends in the west and south, To forego friends in the east and north. Quiet perseverance brings good fortune.
The four fundamental aspects of the Creative—“sublime success, furthering through perseverance”—are also attributed to the Receptive. Here, however, the perseverance is more closely defined: it is that of a mare. The Receptive connotes spatial reality in contrast to the spiritual potentiality of the Creative. The potential becomes real and the spiritual becomes spatial through a specifically qualifying definition. Thus the qualification, “of a mare,” is here added to the idea of perseverance. The horse belongs to earth just as the dragon belongs to heaven. Its tireless roaming over the plains is taken as a symbol of the vast expanse of the earth. This is the symbol chosen because the mare combines the strength and swiftness of the horse with the gentleness and devotion of the cow. Only because nature in its myriad forms corresponds with the myriad impulses of the Creative can it make these impulses real. Nature’s richness lies in its power to nourish all living things; its greatness lies in its power to give them beauty and splendor. Thus it prospers all that lives. It is the Creative that begets things, but they are brought to birth by the Receptive. Applied to human affairs, therefore, what the hexagram indicates is action in conformity with the situation. The person in question is not in an independent position, but is acting as an assistant. This means that he must achieve something. It is not his task to try to lead-that would only make him lose the way-but to let himself be led. If he knows how to meet fate with an attitude of acceptance, he is sure to find the right guidance. The superior man lets himself be guided; he does not go ahead blindly, but learns from the situation what is demanded of him and then follows this intimation from fate. Since there is something to be accomplished, we need friends and helpers in the hour of toil and effort, once the ideas to be realized are firmly set. The time of toil and effort is indicated by the west and the south, for west and south symbolize the place where the Receptive works for the Creative, as nature does in summer and autumn. If in that situation one does not mobilize all one’s powers, the work to be accomplished will not be done. Hence to find friends there means to find guidance. But in addition to the time of toil and effort, there is also a time of planning, and for this we need solitude. The east symbolizes the place where a man receives orders from his master, and the north the place where he reports on what he has done. At that time he must be alone and objective. In this sacred hour he must do without companions, so that the purity of the moment may not be spoiled by factional hates and favoritism.
Perfect indeed is the receptive power of Kun. All things receive life from it, and it obediently follows heaven. Kun, with its rich earth, carries all things; its virtue joins with the boundless. Broad, generous, and luminous, it brings all beings to fulfillment. The mare belongs to the kind of earth: it roams the earth without limit, gentle and compliant, yet steadfast. If the noble person sets out and goes first, they lose the way; following behind, they find constancy. Gaining friends in the southwest means walking with one's own kind; losing friends in the northeast means there will be good fortune in the end. The good fortune of peaceful perseverance answers the earth's boundlessness.
Kun is the receptive power of earth. It carries, nourishes, and completes what heaven begins. Its strength lies in yielding, following what is right, and supporting all things with breadth and endurance.
The earth’s condition is receptive devotion. Thus the superior man who has breadth of character Carries the outer world.
Just as there is only one heaven, so too there is only one earth. In the hexagram of heaven the doubling of the trigram implies duration in time, but in the hexagram of earth the doubling connotes the solidity and extension in space by virtue of which the earth is able to carry and preserve all things that live and move upon it. The earth in its devotion carries all things, good and evil, without exception. In the same way the superior man gives to his character breadth, purity, and sustaining power, so that he is able both to support and to bear with people and things.
Kun is utmost yielding, yet in movement it is firm; utmost s……
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When there is hoarfrost underfoot, Solid ice is not far off.
Just as the light-giving power represents life, so the dark power, the shadowy, represents death. When the first hoarfrost comes in the autumn, the power of darkness and cold is just at its beginning. After these first warnings, signs of death will gradually multiply, until, in obedience to immutable laws, stark winter with its ice is here. In life it is the same. After certain scarcely noticeable signs of decay have appeared, they go on increasing until final dissolution comes. But in life precautions can be taken by heeding the first signs of decay and checking them in time.
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"Treading on frost, solid ice arrives." The yin energy begins to condense.
The frost on the ground tells that hard ice is near. Yin energy slowly accumulates toward its peak.
Straight, square, great. Without purpose, Yet nothing remains unfurthered.
The symbol of heaven is the circle, and that of earth is the square. Thus squareness is a primary quality of the earth. On the other hand, movement in a straight line, as well as magnitude, is a primary quality of the Creative. But all square things have their origin in a straight line and in turn form solid bodies. In mathematics, when we discriminate between lines, planes, and solids, we find that rectangular planes result from straight lines, and cubic magnitudes from rectangular planes. The Receptive accommodates itself to the qualities of the Creative and makes them its own. Thus a square develops out of a straight line and a cube out of a square. This is compliance with the laws of the Creative; nothing is taken away, nothing added. Therefore the Receptive has no need of a special purpose of its own, nor of any effort; yet everything turns out as it should. Nature creates all beings without erring: this is its straightness. It is calm and still: this is its foursquareness. It tolerates all creatures equally: this is its greatness. Therefore it attains what is right for all without artifice or special intentions. Man achieves the height of wisdom when all that he does is as self-evident as what nature does.
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Six-second's movement is "straight" because of "square." Without cultivation, nothing unfavorable.
Six-two's movement is inherently 'straight' and 'square.' Natural virtue without artificiality brings no unfavorable results.
Hidden lines. One is able to remain persevering. If by chance you are in the service of a king, Seek not works, but bring to completion.
If a man is free of vanity he is able to conceal his abilities and keep them from attracting attention too soon; thus he can mature undisturbed. If conditions demand it, he can also enter public life, but that too he does with restraint. The wise man gladly leaves fame to others. He does not seek to have credited to himself things that stand accomplished, but hopes to release active forces; that is, he completes his works in such a manner that they may bear fruit for the future.
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"Containing brilliance and maintaining constancy." It is released in its season.
Containing brilliance means to wait for the proper time. Serving a ruler without claiming credit leads to a proper end.
A tied-up sack. No blame, no praise.
The dark element opens when it moves and closes when at rest. The strictest reticence is indicated here. The time is dangerous, because any degree of prominence leads either to the enmity of irresistible antagonists if one challenges them or to misconceived recognition if one is complaisant. Therefore a man ought to maintain reserve, be it in solitude or in the turmoil of the world, for there too he can hide himself so well that no one knows him.
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"A tied-up sack." Cautious avoidance of harm.
Tying the sack tightly demonstrates cautious virtue that avoids bringing harm to oneself.
A yellow lower garment brings supreme good fortune.
Yellow is the color of the earth and of the middle; it is the symbol of that which is reliable and genuine. The lower garment is inconspicuously decorated—the symbol of aristocratic reserve. When anyone is called upon to work in a prominent but not independent position, true success depends on the utmost discretion. A man’s genuineness and refinement should not reveal themselves directly; they should express themselves only indirectly as an effect from within.
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"Yellow lower garment, great fortune." Literary refinement dwells within.
Yellow is the color of the earth's center, symbolizing inner worth expressing outward. Great fortune comes from humble virtue within.
Dragons fight in the meadow. Their blood is black and yellow.
In the top place the dark element should yield to the light. If it attempts to maintain a position to which it is not entitled and to rule instead of serving, it draws down upon itself the anger of the strong. A struggle ensues in which it is overthrown, with injury, however, to both sides. The dragon, symbol of heaven, comes to fight the false dragon that symbolizes the inflation of the earth principle. Midnight blue is the color of heaven; yellow is the color of the earth. Therefore, when black and yellow blood flow, it is a sign that in this unnatural contest both primal powers suffer injury.
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"The dragon fights in the wild." Their way has reached its limit.
The dragon fighting in the wild shows yin energy at its extreme. This is the natural conclusion when the way has reached its limit.
What does K'un / The Receptive mean in the I Ching?
The four fundamental aspects of the Creative—“sublime success, furthering through perseverance”—are also attributed to the Receptive. Here, however, the perseve...
How should I study Hexagram 2 on this page?
Start with the judgment and image, then read the line statements in sequence. Just as the light-giving power represents life, so the dark power, the shadowy, represents death. When the first hoarfrost comes in the autumn, the power of darkness and cold is ju...
How can this hexagram be applied in a modern reading?
Kun is the receptive power of earth. It carries, nourishes, and completes what heaven begins. Its strength lies in yielding, following what is right, and supporting all things with breadth and endurance.
Primary text: Zhouyi / I Ching, including the Judgment, Image, line texts, and related commentaries.
Translation basis: public-domain and modern study references, with AI used only as a learning aid.
Zhouyi / I Ching primary text: The received text of the Book of Changes, including the Judgment, Image, and line statements.
The I Ching or Book of Changes, Richard Wilhelm / Cary F. Baynes: Princeton University Press translation used as a major English-language reference point for names, structure, and commentary framing.
The Sacred Books of China: The Texts of Confucianism, James Legge: Classical English reference used for comparative reading of source terminology and commentarial tradition.
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